As Song of the Deep’s protagonist Merryn built a submarine to search for her lost father, Wyatt looked at me:
“If anything were to ever happen to you, I’d build a submarine and come find you too.”
Into the oceanic abyss we dove, deeper and deeper. The couch, our submarine. Wyatt deftly piloted the helm. Until controller dexterity issues arose when we encountered electrified jellyfish. Fighting with the sub’s mechanical arm while steering was just too complicated for him. So I took over. He watched.
We journeyed through a sunken city, wondering what had happened to this lost civilization. Wyatt grew bored. He didn’t ask to pilot the sub again. Song of the Deep frustrated him. This coming from the kid who can hold his own in Guacamelee and PixelJunk Shooter.
Insomniac’s Song of the Deep is a “passion project” influenced by Brian Hastings, chief creative officer at Insomniac Games. Brian said that he wanted to create a heroic character to share with his 10-year-old daughter. I applaud him for that.
I had hoped that the underwater beauty and awe inspiring moments were something I could actually share with Wyatt. The movement of the submarine proved to be too much of a barrier. Dated puzzle mechanics, such as adjusting light mirrors (ugh), further threatened to sink our voyage.
I wanted Song of the Deep to be more confident in itself to be different and new. Game mechanics resurrected from the era of Ecco the Dolphin come across as hazardous underwater currents. Currents I want to avoid.
Bottom Line: I do like that I can play Song of the Deep in front of Wyatt. I just wish the game engaged him more than just passive viewing…
*Song of the Deep was reviewed using codes provided by Insomniac Games.